10/17/07

Plato's emotions

I’d like to try to discuss Plato’s views in a way that might appeal to more people, in a way that allows some leeway for emotion while still honoring the importance of logic and reason in society. Plato does allow that emotions exist but that we should take emotions them and instead of acting out based on only our emotion, we should use logic and reason to channel our emotions to create something constructive that leads to truth. He argues that art will often write the emotion and create an emotional response in a reader, but this is not healthy because it doesn’t lead to logic and reason. “It feeds and waters the passions instead of drying them up; she lets them rule, although they ought to be controlled if mankind are ever to increase in happiness and virtue.” *Controlled* not repressed, as we talked about in class today.


This perhaps can make more sense if put into an example. Let’s say a person is very angry and he writes a poem about how angry he is. Other people read this poem and respond such that they are angry as well about this situation though they perhaps weren’t angry before. Or, maybe you're angry and you listen to an angry song, does it make you feel better? Sometimes, yes, but oftentimes don't you just end up wallowing in the emotion? This is not constructive. Anger will only perpetuate more anger if reason and logic are not called upon – the emotions will build up too much and we will not be able to understand why we have these emotions. The angrier we get, the less rational our thought becomes. However, if we have the emotion of anger and then use our logic and reason to understand why we are angry, then the anger can often dissipate through the understanding of how we came to that emotion – perhaps not at first but eventually. We change our view to something that is constructive. Thus, emotions (even those destructive ones) can be constructive if logic and reason are employed to lead one to a deeper understanding and truth.

ars poetica, Freud style

We have clearly moved away from deconstruction in class, even though some of those questions still persist, especially in our current readings. Freud, in his essay about creative writers, states that "a creative writer presents his plays to us or tells us what we are inclined to take to be his personal daydreams" where we are left to feel "a great pleasure" from the "confluence of many sources." Is "ars poetica" here really a secret? If we all opened up our egos to the world, we'd be the next Hemingways, Prousts, Tolstoys? Or is "creative writing" just one in an infinate number of outlets of sickened daydreamers? Maybe we are all creative "writers" in this way, in our own little centers of supposed human experience, each individual dream its own center in the "terrifying form of monstrosity"!